Showing 1 - 22 of 22 postings found
ESPN is looking for a Production Support Editor to edit basic to standard content using Avid and Adobe After Effects while managing media ingest, file conversions, and audio production.
ESPN is looking for a Recurring Makeup Artist to support the on-air appearance of announcers by applying natural makeup and styling hair for high-definition camera shots during remote sports productions.
ESPN is looking for a Production Coordinator to assist with the day-to-day operations of production content, logistics, and business operations for assigned shows and sport categories.
ESPN is seeking a dynamic Director to lead financial planning and analysis, manage financial projections for equity owners, and drive finance transformation initiatives while mentoring a high-performing team.
ESPN is looking for a Production Assistant to provide production support by prompting live shows, transcribing sound, and producing video elements for various studio programming and affiliates.
ESPN is looking for a Design Supervisor to lead a team of designers in creating impactful visual storytelling solutions and on-air brand identities across multiple digital and broadcast platforms.
ESPN is looking for a Supervisor of Remi Operations to oversee a team of technical operators and manage the planning, support, and execution of live event productions using a remote integration model.
ESPN is seeking an aspiring storyteller to support content creation by editing video and audio elements, coordinating graphics, and producing highlights for various live events and studio shows.
ESPN is seeking a talented and versatile Staff Photographer with supplemental video experience to produce compelling visual content for the communications department across studio, portrait, and live-event settings.
ESPN is looking for a Manager of Animation to lead the Creative Studio Animation and FX team by overseeing staff development, technology resources, and strategic planning to deliver high-quality content against company priorities.
ESPN is seeking a Stage Manager I to support studio and remote productions by relaying direction to talent and technical crews while ensuring all sets and staffing requirements are met.
ESPN is looking for an innovative Director of Communications to oversee publicity efforts for entertainment-driven programming, original content, podcasts, major award shows, and professional tennis coverage.
ESPN is seeking a Senior Operations Producer to oversee the comprehensive execution of operational, technical, and logistical elements associated with remote sports television productions.
ESPN is looking for a Recurring Operations Producer II to manage the execution of operational, technical, and logistical aspects of remote sports television productions.
ESPN is seeking a Statistics Analyst I to ensure the accuracy and timeliness of sports data by delivering real-time play-by-play, clock-and-score, and other statistics across various digital platforms and television productions.
ESPN is looking for a Technical Director I to prepare and switch video elements during live and pre-recorded productions while ensuring all content meets high standards of quality in a fast-paced control room environment.
The Counsel in ESPN's Legal Department will assist the Deputy Chief Counsel, Assistant Chief Counsel and other attorneys in fulfilling the legal affairs and requirements of the corporation.
The Content Lab team focuses on entertainment, innovation, and experimental productions, including our work in GenAI.
As a Workflow & Automation Specialist (Airtable), you will play a key role in executing, optimizing, and standardizing workforce expansion and resource allocation models by translating business and operational processes into scalable, secure Airtable solutions.
The Supervising Video Editor is primarily a people leader who is responsible for managing day-to-day editorial operations and supervising video editors.
The Referrals Strategist will play a crucial role in strengthening content visibility, identifying evergreen topics, and discovering new pathways for referral traffic and growth.
The Director I is responsible for the planning and line-directing live and taped Studio, Remote and REMI productions, in both conventional and automated control rooms.